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The free version gives you a high-quality wipe-transition with a bunch of parameters to adjust, which let you modify every transition exactly for your needs. It is a wipe effect that allows you to adjust the angle of the transition. Even the free version is GPU accelerated. Transition Designer Lite provides a transition plug-in that allows you to use Wipe, Push, Dissolve, and Rumble effects with several variations. For example, to feather edges, change directions, or simply add Glow or Vaporize on all transitions (except Rumble).

Are you an ambitious, professional editor dealing with time pressures and growing expectations from your client? If you don't want any cheap-looking transitions but a highly sophisticated tool that helps you bring your story to life, then, TRANSITION DESIGNER is exactly what you need! Split Screen Designer enables you to create great looking split screen effects super fast and in excellent quality. No programming skills required.

You can do everything by simply mouse clicks. All split designs can be controlled precisely via keyframes. Generate your own split screen effects with just a few clicks and create with Premiere Pro CC effects as seen in the top TV series! Boris Continuum Complete AE delivers the most comprehensive VFX plug-in suite ever created for Adobe Premiere Pro and Adobe After Effects. More than 200 filters include 3D particle effects, image restoration tools, lens flares and lights, keys and mattes, color correction tools, time-based effects, warp and perspective effects, and blurs, glows, and cinematic effects.

All filters take advantage of either multiprocessing or OpenGL hardware acceleration for an interactive effects design experience. Over 1,000 professionally designed presets are included free with every installation of BCC. Final Effects Complete AE brings over 110 designer effects and transitions to Adobe Premiere Pro and After Effects.

Before jumping into the HitFilm Pro 2017 review, here’s a super quick introduction for those of you who are unfamiliar with HitFilm in general. Jul 13, 2012. Speed up your edits and get greater clip consistency by using submixes in Adobe Premiere Pro. Follow this Premiere tutorial to learn how!

Ranging from graceful blurs and edges to radical warps and particle generators, Final Effects Complete dramatically augments your creative arsenal. Full-featured 3D and 2D particle animations include ball action, explosions, distortions, jet trails, hair, liquid mercury distortions, spotlights, and color transitions. The simplicity of the filters combined with the native host interface reduces your learning curve to virtually zero. Boris RED is the only integrated 3D compositing, titling, and effects plug-in application to deliver unparalleled performance to Adobe Premiere Pro. An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your Adobe Premiere Pro timeline, integrating professional-level titling, transitions, image restoration, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industry’s most comprehensive image processing filter suite. With realistic lighting, advanced keying and color correction, compositing, DVE, vector paint, and support for third-party After Effects filters, Boris FX is a great value for effects creation in Adobe Premiere Pro.

Vector paint and spline tools allow you to create animated masks and transitions. A built-in Library Browser is packed with high quality premade effects.

Create your own unique looks or draw from a vast library of presets and styles. From innovative lower thirds to silky-smooth credit rolls and trendy type-on animations, Boris Graffiti is the gold standard for title animation in Adobe Premiere Pro. Achieve one-of-a-kind effects with built-in text paths, jitter, and randomization. Add powerful, realistic 3D extrusions with reflections, bump maps, and lights or wrap text around a 3D sphere.

Create your own custom looks or tap into Graffiti’s vast library of presets and styles. Twelve 3D geometric primitives rendered with a true raytracing renderer, featuring transparency, texture mapping, shadows and environment mapping. Six unique plugins for adding effects to your film or video. The Conoa EFX Keep Color plugin allows up to four colors to be subtracted or kept in your media. Wrap and unwrap spheres, bend and flex cylinders and explode cubes. All shapes are rendered with an advanced renderer featuring texture mapping, shadowing, and transparency.

All Conoa EasyShapes plugins integrate with After Effects' lights and camera, in addition to their own lights and camera. From soft organic glows and blurs to advanced color correction tools and instant photo montages, CoreMelt Complete will save you hours of time on every project, no matter what type of editing or motion graphics work you do. CoreMelt Complete includes all eight CoreMelt products: ImageFlow Fx V2, PolyChrome Transitions V2 TRX, PolyChrome Transitions V2, Delta V, Pigment, Gadget, Luminous, and Shatter, in total providing you with over 200 GPU-accelerated plug-ins to kick-start and floor your workflow. Available for Adobe Premiere Pro and Adobe After Effects, ActiveText is a set of five free plugins which can simplify the most common types of quick text captions and subtitles. Just drag and drop them onto your timeline and they are pre-animated. No keyframing is involved at all, just adjust the length of the clip to your desired title. You can quickly duplicate a title just by copy pasting it a new portion of the timeline and changing the text.

Drag and drop animated titles for your most common tasks. Available on OS X for Adobe Premiere Pro and Adobe After Effects, Lock & Load X is an instant stabilization solution with no learning curve. Make hand-held footage look like smooth natural motion in seconds! No need to set tracking points, just analyse the entire shot and get instant results. Works well even on shots with complex rotation or poorly defined backgrounds. With support for Adobe Premiere Pro on Windows 7 64-bit and OS X 10.6.x and 10.7.x, this plugin allows for cropping your image, both inside or outside, and to add feather to the cropped borders.

A Graphic UI is available and the plug-in supports 8-, 16- and 32-bit depth. In Adobe Premiere Pro, the plug-in works in RGB and YUV color spaces. This plugin allows you to create a vignette on the source clip. Both rectangular and elliptical vignettes are supported. Vignettes can be repositioned and rotated, applied in any color and blending mode available, to the inside or to the outside. Alternatively only the mask can be rendered, replacing the source layer altogether. This plug-in supports Adobe Premiere Pro and Adobe After Effects on Windows 7 64-bit and Mac OS X 10.6.x and 10.7.x.

The Adobe Premiere Pro version supports 8 and 32 bits (Maximum Bit Depth). In After Effects only 8 and 16 bit depth is supported so far. For over a decade Delirium has been the standard for essential visual effects and motion graphics capabilities. Now speed optimized and fully Adobe Creative Suite® 5/64-bit compatible, Delirium v2's 45 effects continue to be a staple for users of After Effects and Adobe Premiere Pro. Delirium v2 offers 45 different effects spread across six categories: Natural Forces, Special Effects Elements, Color & Style Filters, Patterns & Distortions, Lighting & Glow Effects, and Compositing Tools. These effects let you inexpensively add greater control and quality to the built-in features of your host application.

To all of you who thirst to wreak more havoc, the scores of you who want to take all that is beautiful and render it visual debris, and for those of you who have been writing us about all the electronic carnage you daydream about if only you had a way to do it faster, with more options. So we've created Damage v2. All the ancient evil of analog signal defects in Skew and Interference; the modern, coldly unsympathetic digital malfunction of Artifact and Blockade — and now, we've harnessed the incompetence at the source. Two new effects in the Damage toolbox — Aged Film, Destabilize and Overexpose — allow you to go back in time and not only corrupt your footage, but also ruin the image of the camera operator. Beauty Box Video is the award winning skin smoothing plugin for After Effects and Premiere Pro. It’s digital makeup that gives your actor or model an incredible makeover in post-production by incorporating state-of-the-art face detection and smoothing algorithms.

Beauty Box automatically identifies the skin tones and removes blemishes and wrinkles, while leaving important facial details sharp. It’s easy to use and the retouching is beautiful and realistic. HD and 4K show more detail than ever, including blemishes and makeup problems. Beauty Box solves these problem and keeps your talent and clients looking great. Flicker Free is a powerful new way to deflicker video. It solves a number of common problems such as time lapse flicker, slow motion flicker, and rolling flicker caused by LED lights, fluorescent lights, or computer monitors.

As with all Digital Anarchy plugins, we strive to create intuitive software that produces exceptional results while remaining dead simple to use. A variety of presets deflicker common problems and a few parameters give you the control to easily modify things as necessary. The results are remarkable, so try the free demo on your footage.

DFT Film Stocks is a unique set of filters that simulate 288 different color and black and white still photographic film stocks, motion picture films stocks and historical photographic processes. Based on their experience in creating special effects for hundreds of feature films as well as expertise in film scanning and recording techniques, Digital Film Tools has laboriously researched and analyzed different film stocks to create a set of interesting analog photographic, motion picture and vintage looks for your own projects.

By analyzing brightness, color, tone, detail, grain and texture of some of the world's greatest movies, paintings, photographs and historical photographic processes, Digital Film Tools has created a way to apply these looks to your video projects. The color, tone and brightness of the original work are replicated while the texture, grain and detail are simulated. You can also use your own pictures and movies to create and re-apply new look profiles. This plug-in allows you to add drama, polish and style with stunning and realistic light ray effects using volumetric lighting and crepuscular rays. Add shafts of light streaming through clouds, rays filtering through a forest canopy, beams of light on a foggy night or rays shooting out from text.

ReFine provides a new way for performing selective sharpening, detail enhancement, edge aware smoothing, as well as cartoon and pencil effects to video by using high-quality edge preserving filtering of still and moving images. Each image is decomposed in three detail layers (coarse, medium and fine) which then can be manipulated separately in various ways including sharpening and smoothing. Together with masking this technique is very powerful for creating sophisticated masterpieces. Free high-quality transition plug-ins for Mac OS and Windows.

Create more Impact with this set of ten quality video transitions for Premiere Pro. Each plugin has powerful controls to make them highly versatile. Free transitions: Impact Flash, Impact Blur To Color, Impact Push and Impact Roll. Windows and Mac compatible. The second set of ten quality video transitions for Premiere Pro.

A great addition to your editing toolbox and GPU accelerated to deliver high performance. Windows and Mac compatible. Flair brings eight high-quality effects to Adobe Premiere Pro, After Effects, and Adobe Photoshop® compatible programs. Among them are shine, glow, and sparkle effects with 16-bit and multi-CPU support. Curves are a very versatile and precise color correction tool. This plug-in provides additional control and accuracy beyond the built-in curves tools in Adobe Premiere Pro, so you can get the most out of this basic tool. Lenscare moves depth-of-field and out-of-focus generation to post-production.

If you need high-quality camera blurs with the flexibility of 2D postprocessing, Lenscare is a great choice. It can get rid of long extra 3D rendering times. The key aspect during the development of these filters was to match the real thing as closely as possible. Lenscare is available as a plug-in for Adobe Premiere Pro, After Effects, and Photoshop compatible programs. Visual effects toolbox with unmatched features and performance. FxFactory Pro includes 176 filters, generators and transitions for Premiere Pro and After Effects. FxFactory Pro effects are accelerated using the graphics card for unbeatable previewing and rendering performance.

FxFactory Pro plugins ship with many built-in presets, a time-saving feature to try new looks with minimal effort. Save your own presets to disc and recreate the same look later. Create stunning slideshows.

The principle behind Photo Montage is simple: select an animation style and a few of your photos, and let the plugin do the rest. Rearranging photos or changing the duration of each can be done in seconds, thanks to an intuitive configuration UI. Ease of use does not imply limited functionality.

A full array of effect parameters allows expert users to create unique animations. Create the photo animation style made popular by Ken Burns. Achieve stunning results without a single keyframe. ROBUSKEY for Video runs on After Effects and Adobe Premiere Pro. It allows users to add high-quality chroma-keying effects to a green background/blue background video clip — matched to strands of hair blown in the breeze or frizzy hair styles. The color spill of the background photographed with the subject is automatically adjusted to match the composite image, and variations and shadows due to uneven lighting can be cleanly removed. Rendering is as natural as it can be for curved glass surfaces like wine glasses and transparent liquids.

ISP 3D Title runs on Adobe After Effects and Premiere Pro. It allows users to add a stereoscopic 3D effect to text subtitles created on their stereoscopic 3D video. Parallax can be adjusted, and operation is extremely easy. Not only text but also any 2D graphics can be stereoscopic 3D video. ISP 3D Preview, included in the product, allows users to quickly check how the effect would be seen. ISP Film Color Anti FalseColor runs on After Effects and Adobe Premiere Pro.

It allows users to remove false color, which is a destiny of videos shot by DSLR cameras equipped a large sensor. Even though there are many reasons to produce false colors, the answer is here. Just by applying this plug-in, any false colors will be corrected to true color, even night scenes. ISP Film Color Like HDR runs on After Effects and Adobe Premiere Pro.

It allows users to add a HDR effect in videos just by applying this plug-in. Or expand their creativity by adjusting parameters (only three) to get a taste of results from supernatural to superartificial.

A variety of animated textures designed to add a dynamic and intriguing feel to your project. Simulate flickering, regional, burning and flashing lights. Overlay light effects over any media. For the first time the creation of this unique effect is facilitated by a plugin rather than stock footage. Visual effects plugin that can create a moody and surreal atmosphere with a genuine vintage feel. A popular transition style, made easy. Six different perforation types (including 8mm and 28mm perfs), Rounded Corners and softness controls, light glow around the perfs, option to shift the effect sidewards, independent Perfs and Frame Verical Shift, Light Leak OSC and a lot more.

Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue Elements 3 Ultimate includes over 250 presets in 21 video effects that simplify multi-step compositing tasks. Easily generate split screens and drop shadows. Add a viewfinder overlay and key green screen footage inside your editing application. Whether you’re creating quick backdrops, simulating a wild car chase or experimenting with new textures and mattes, NewBlue Elements 3 Ultimate gives you complete control. Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue Essentials 3 Ultimate includes over 275 presets in 24 workflow-enhancing video effects that stabilize shaky footage, remove flashes, and sharpen details in an essential go-to toolkit.

Designed to address everyday post-production needs such as color correction or stabilization, you find life-saving tools like Noise Reducer, Lens Corrector, Stabilizer and Flash Remover, or image enhancers such as Skin Touch Up, Detail Enhancer and more. Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue Filters 3 Ultimate presents over 250 presets in 22 video effects to instantly enhance video through an array of distinctive looks like Fish Eye and Day for Night, and color enhancers such as Colorize and Selective Tint. Find the exact color balance with ColorFast’s streamlined correction and grading workflow, then shape the mood with a full suite of stylish aesthetics from Film Color and Old TV to Tilt Shift and Dream Glow. Do all of this stylishly without sacrificing efficiency. Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue Stylizers 3 Ultimate features deliver colorful and imaginative art, paint and light effects in over 250 presets in 23 imaginative video plug-ins.

Discover rich painting styles with Cartoonr, Air Brush, and Watercolor. Use light-oriented effects, such as Neon Lights to Glow Pro for stunning accents and atmosphere. And explore the boundaries with surrealistic filters like Metallic, Impressionist, and Paper Collage. From impressionist styles to energetic blurs and flickers, you always find the perfect look with NewBlue Stylizers 3 Ultimate.

Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue Transitions 3 Ultimate features over 400 presets in 37 plug-ins that provide cutting edge video transitions of 3D, light, color, and motion to deliver stunning scene-to-scene cuts. From Cartoonr Plus to Color Wash, Neon Lights to Metallic, Shake to Shredders and much more, you will engage your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance. Create colorfully retro and metallic images with Duochrome, or simulate a drawing at the end of one scene that morphs into the next with Colored Pencil. Whatever you choose, count engaging your audience with this comprehensive collection of unique, stylized video transitions for every mood or circumstance. Compatibility: Adobe Premiere Pro CC, CS6/6.5 and Adobe After Effects 7.0+ NewBlue TotalFX delivers over 1400 presets in 129 plug-ins in the most sweeping collection of titling, transitions, and video effects available. Choose from the advanced compositing tools of NewBlue Elements Ultimate, the time-saving tools of NewBlue Essentials Ultimate, the color-correcting techniques and aesthetics of NewBlue Filters Ultimate, the creative techniques in NewBlue Stylizers Ultimate, the cutting-edge scene-to-scene cuts of NewBlue Transitions Ultimate, and the dynamic titling capabilities of NewBlue Titler Pro 3 Ultimate, rich with additional Styles and Lower Thirds.

This premium, all-encompassing suite of professional tools tackles practically every editing task hands-down. An all-new hardware-accelerated video transitions plugin for Premiere, DissolveMaster is the ultimate tool to create dissolves and fades of all types including film dissolves, soft directional dissolves, blur dissolves, glow/flash dissolves and beautiful dissolve transitions never before available. DissolveMaster is a great enhancement even if you are a 'cuts and dissolves' editor, providing subtle ways to lead your audience's eye within a scene using the unobtrusive, clean aesthetic of the dissolve transition. The fully-customizable soft/organic effects and transitions of SpiceMaster provide wonderfully creative, subtle alternatives to standard looks. SpiceMaster also can organically animate any effect or key in Premiere, leveraging the power of all your other effects (built in or third party).

Rawkus Soundbombing Rar Files more. You also can organically animate titles, picture-in-picture effects, backgrounds, and graphics. SpiceMaster gives you complete creative control over all effect parameters, and thousands of instantly useful presets. 3D Six-Pack is an affordable, easy-to-use plug-in that adds 250-plus terrific 3D transitions to Premiere.

It provides better looking, more realistic/natural replacements to existing 3D transitions plus new additions long-requested by users. 3D Six-Pack includes beautiful organic page-turns and rolls/slides; particle transitions such as bursts and swirls; depth effects and 3D distortions; and natural transitions that use wind, gravity, or other organic progressions to reveal the next scene. Subtle motion acceleration and transparency changes in all the transitions provide an amazingly natural look. These eleven affordable effects plugins provide hundreds of fresh, aesthetic video effects for Premiere users.

CreativEase includes color, blur, depth, grain, and time-based effects -- all completely customizable. CreativEase also can quickly and easily solve everyday editing problems, such as selective softening to remove facial blemishes; creating beautiful dreamy looks; generating color-accurate cartoon animation directly from video; producing glossy 3D titles; adding subtle film looks and film grains; cropping frame edge noise without image distortion; and more.

Pixelan’s GPU-accelerated FilmTouch Pro plug-in holds 500+ professional, attractive film look presets. A wide range of controls can fine-tune color subtleties -- or build a freshly evocative look from scratch. A large, visual Effects Browser enables you to easily compare and choose presets interactively. Mark and organize favorites per project/client, hide unwanted presets, save your own custom looks, etc.

Powerful but easy scene-based (and geometric) masking allows you to leave untouched an already “just right” color or luminance area -- such as someone’s face, a car or other subject, the sky, a logo's color, etc. Just click the area to preserve it. A collection of three Pixelan GPU-accelerated plugins: BlurBlender Pro, Smart Blur Pro, and Smart Sharpen Pro.

BlurBlender Pro holds 650+ highly aesthetic, unique blur effects optimized for hi-res (including 4K) video/film as well as titles/text. Includes many customizable controls, powerful randomization features, and easily-adjustable masking to place the blur exactly where desired. Smart Blur Pro's blur effects retain scene details; likewise Smart Sharpen Pro sharpening minimizes artifacts. Both include unique masking controls to easily apply the effect only where desired. All feature a large visual Effects Browser. Adorage is the ultimate special effects library, with more than 17,000 effects in 13 effects volumes, offering endless possibilities with the shortest learning curve.

Simply select an effect and Adorage does the rest. Particles/lights, smoke, explosions, diamond effects, and photo-realistic effects offer stunning results for wedding, vacation, family, sports, and documentaries. Adorage works directly on the Adobe Premiere Pro timeline with stunning HD/SD effects (volumes 10 and higher). Windows only.

ProDAD's Mercalli V2 Pro video stabilizer and rolling-shutter correction plug-in is an extremely effective tool to remove unwanted shake from video, right on the Adobe Premiere Pro timeline. 3D stabilization corrects the X, Y, and Z camera axis with minimal need to zoom in. Fully automatic rolling-shutter correction removes the skew, wobble, and jello from video that is often introduced by CMOS-type camcorders/cameras when they pan quickly. Windows and Mac OS. VitaScene V2 is proDAD’s professional-grade video effects and filters library, packed with 600-plus fully customizable effects including tilt-shift, vintage film, de-focus, sophisticated light and particle effects, and more — all in stunning HD quality. VitaScene V2 is GPU accelerated for fast rendering.

It is offered in two versions: VitaScene V2 Pro with all effects and effects customization and VitaScene V2 LE with over 100 noncustomizable effects. Windows only. Denoiser removes unwanted noise grain and artifacts from your footage while leaving the details intact for great-looking results, regardless of shooting or lighting conditions. Use smart default settings that give speedy smoothing, or dial in advanced options that treat more difficult clips. Created by John Knoll, Photoshop co-creator and 'Star Wars' effects guru, Knoll Light Factory 3.0 is one of the industry's most popular motion graphics tools.

Create high-fidelity simulations of light effects called flares, which simulate reflections from a very bright light source as seen through a camera's lens. With Knoll Light Factory 3, you get new features like realistic flare elements, time-saving animation behaviors, a redesigned interface, and over 100 beautifully designed presets.

Magic Bullet Looks brings professional color finishing to any project, fast. Pro presets and camera-inspired tools make it easy to get the look you want. Now you have one of Hollywood’s best tricks up your own sleeve. Blockbuster movies often use a subtle coloring effect to warm up actors’ skin tones while giving a cool blue treatment to backgrounds and shadows, but the trick is to do it while keeping your talent in focus.

Mojo gives you this modern Hollywood look in seconds, with easy customizable controls to suit any footage. Colorista II brings the power of high-end color systems to your desktop. For the first time, you can perform professional color grading in your favorite editing applications and move between them with consistent, quality results. Use the 3-Way Wheels for easy adjustment of balance and luminance, a powerful new Keyer for precision editing, and Power Masks to isolate an area for perfect finishing. Cosmo is your secret weapon for perfect HD closeups, glamor shots, and age reduction in onscreen talent.

Make a 30-year-old model, a 40-something actress and a 50-plus executive look equally terrific — and even better than she had imagined possible — with this quick, professional cosmetic cleanup tool for your video footage. Cosmo smooths skin tones, softens problem areas, and fixes blemishes with simple beauty sliders powered by our Colorista II technology. Start with ordinary interlaced video and apply Magic Bullet Frames' sophisticated algorithms. You will instantly get the smooth, professional, deinterlaced look of 24p film. Choose between motion-adaptive and field-blended approaches for high-quality footage at high speeds, right in your editor's timeline.

Instant 4K up-converts HD video into a variety of 4K and UHD video formats. Choose from a list of preset resolutions to easily integrate HD video into your next 4K production. When scaling from high definition (HD) to 4K/Ultra HD (UHD), Instant 4K's algorithms generate the missing pixels with integrated sharpening and anti-aliasing for sharp, clear results inside your favorite video application.

Give your footage just the right look in seconds, whether it’s a urban grunge, a desert sunrise, or the film stocks used in classic movies. Quick Looks is a light version of our full Looks tool with the same speed and quality at a lower price. You can define the style of your video or film by choosing from 100-plus look presets to help set the mood for everything from a wedding to the next Sundance original.

Free product. Magic Bullet LUT Buddy was designed for the professional colorist and bridges the gap from desktop applications to high-end systems and hardware boxes. Use LUT Buddy with Adobe Premiere Pro to output LUTs and communicate with higher end systems ranging from DaVinci Resolve to Panasonic displays. If you’re already using 1D or 3D LUTs in your workflow, this tool was designed for you to share values between compliant software and devices.

Free product. Set your colors free. Magic Bullet Colorista Free is a simplified, elegant color corrector that anyone can share and use. You get exactly what you need with basic controls designed by experienced colorists, like the 3-Way Wheels from our popular Colorista II and numeric sliders for precise numerical accuracy. For high-level work, Colorista Free is workflow ready to share Color Decision List (CDL) values with CDL-compliant host apps and conform your color work to industry standards. Red Giant Presto is a time-saving tool that quickly turns a live presentation event into a high quality video.

Presto imports a timeline with footage of the presenter into your editing application and matches it to the original presentation slides. Presto takes care of the tedious production work: tracking the presenter’s movements, switching slides at the right time, instantly rearranging the layout. The result is a professionally designed video that lets you share a presentation as soon it’s ended. PluralEyes 3 syncs audio and multi-camera video automatically, preparing your sync in seconds rather than days. This standalone application works directly with Premiere Pro. Monitor the sync with an interactive timeline and visual feedback, and use built-in fine tuning controls afterward. Version 3 is up to 20x faster than PluralEyes 2, and works with a variety of file formats and codecs.

For a faster, less tedious and more accurate workflow, use PluralEyes 3 to revolutionize your audio/video sync in post-production. With 3D Stroke, paths, logos, or lines can take on lives of their own — glowing, tapering, and moving in complex ways through 3D space, while a built-in camera lets you capture the action from any angle. It's broadcast TV's secret weapon for animated logos and sophisticated write-on effects.

Create compelling light effects without leaving your editing timeline, and without the tedious render times of specialized 3D applications. Sunshine through clouds, headlights through fog, or horror movie titles: Shine does it all. Choose from 22 powerful presets, or make your own light ray effects from scratch.

16- and 32-bit support guarantees high-quality light effects for any project. Starglow is a fast-rendering multidirectional glow effect.

It can be used to create multicolored star-shaped glints like those created by a camera filter. Each customizable glow consists of up to eight directions, and each direction can be assigned an individual color map and streak length, offering endless possibilities. The powerful plug-ins in Warp give you ultimate control over shadows, reflections, glows, and corner point warps. The Shadow tool renders shadows for text or subjects shot on greenscreen, while the Reflection tool creates mirror-like reflections.

Use Radium Glow to add sophisticated glows and glimmers to any project. The Corner Pin tool heightens realism in any scene with advanced features for working with warped images, importing tracking data from mocha for After Effects, and adding secondary transforms and motion blur. Whether you're adding visual background noise, using text as a texture, or flashing words to reinforce a theme, text is an important element of your composition. Choose from Bezier paths, particle arrays, and matrix-style patterns: Text Anarchy will generate the coolest effects while giving you fine typographic control. Also includes the Geomancy Shapes plug-ins.

Give video footage that sought-after cartoon look easily and quickly with unique algorithms to transform your image into beautiful cartoon shading and lines. Its five plug-ins free you from time-consuming techniques like rotoscoping and hand painting and give precise control over styles, shading, and outlines.

Version 2 adds the Heat Vision plug-in (mimicking the look of the Predator movies), 14 new styles, new presets, and faster output. Red Giant Universe is a free community that gives you access to fast and powerful free tools for editing, visual effects and motion design.

Every tool in Universe’s library of effects and transitions is GPU enabled (making them super fast) and works across multiple host applications on both Mac and Windows. The universe library of tools is continuously growing - new effects and transitions are added regularly, and existing tools are updated just as frequently. RE:Fill Mend holes in images by intelligently filling user-specified regions. DE:Noise Reduces noise using novel feature-sensitive spatial filtering along with time-based optical flow methods!

RE:Match Automatically color match one view of a clip to another so that it looks as if it was shot with the same camera and settings. FieldsKit Get smarter deinterlacing and more workflow options for interlacing and pulldown.

ReelSmart Motion Blur Automatically track every pixel in a sequence and blur the scene based on calculated motion. Shade/Shape Turn 2D elements into 3D rendered artwork. Twixtor Intelligently slow down, speed up, and frame-rate convert image sequences. SmoothKit Get the ultimate toolset to smooth your imagery by combining user-directed controls and feature-sensitive methods. Video Gogh Turn your pictures and videos into painted works of art.

MovingPicture MovingPicture is a tool for producers and editors to pan and zoom on high-resolution still images. It takes scanned images up to 8,000 pixels and allows for perfectly repeatable pans and zooms directly from a Windows or Mac computer or as a plug-in to Adobe Premiere Pro. MovingPicture is widely used by broadcasters, documentary film producers, schools, and corporate and event videographers.

Clients include ABC, CBS, FOX, NBC, BBC, PBS, Discovery, Lifetime, A&E, and the legendary documentary filmmaker Ken Burns. X264 PRO is a native 64-bit export plug-in for Adobe Premiere Pro that is targeted to users who wish to use the “MCU: best encoder in the world” award winning H.264/AVC encoder from the. The plug-in is the first to offer 4K Digital Cinema resolutions. It also offers constant quality encoding which is faster to encode compared to constant bitrate or variable bitrate methods of comparable overall quality. The output can be configured as MPEG-4, QuickTime MOV or as an elementary.264 stream. The plug-in also supports PCM and AAC audio. The Match Source presets automate batch processing based on the source footage size, pixel aspect ratio, frame rate and others.

X264 PROBD is a native 64-bit export plug-in for Adobe Premiere Pro that uses the x264 PRO H.264/AVC Encoder constrained in the user options to the Blu-ray specifications. It is targeted to users who want to use the “MCU: best encoder in the world” award winning H.264/AVC encoder from the x264 Project while safely constrained to Blu-ray configurations. Rapid, intuitive access to the big sound all professionals strive for. Stereoizer hits the bullseye, with the assurance of superb mono compatibility and no unwanted artifacts.

Stereoizer offers you the full range of stereo image enhancement, from gentle width adjustments to huge dynamic ambiences that transform the soundstage. With visual audio analysis feedback and a clear, logical control layout, Stereoizer is satisfying to use and gives great results with the minimum of effort.

Powerful, transparent True-Peak limiting you can 'set and forget', with the assurance of True-Peak compliance at all times. SEQ-S gives you powerful sonic sculpting and EQ matching up to 7.1, with stereo mid-side operation and automated spectrum analysis. Massage and correct any audio with incredible resolution that you just can’t get with a traditional parametric interface. A direct-draw interface and detailed spectrum analysis make it easy to quickly identify and specifically fine-tune your audio. Couple this with EQ matching via sonic fingerprinting and you have some unique possibilities.

Mix and Master for the listener directly to Apple, Spotify, DAB Radio and TV specifications, MasterCheck will immediately reveal how your audio is going to sound to the listener, allowing you to produce with confidence and certainty. Quick check analysis and correction - one click and you're done. At up to 100x real-time in your NLE/DAW or as a file based application. Save hours and prevent costly mistakes. Using an industry standard gives you confidence and peace of mind. VisLM-H delivers everything you need – intuitively, accurately and immediately. With a unique design focused on primary loudness parameters, VisLM-H combines an instant overview with detailed historical information, enabling you to hit your target first time, every time.

Additional loudness logging and time-code functions allow for proof of compliance reporting and postmortem analysis with frame accurate referencing. Measure, understand, correct. Visualizer gives you indispensable audio analysis for quality audio production, with a standardised reference set of professional tools that let you work faster, avoid mistakes, repeat past success and understand the success of others.

Custom soundtracks add impact and professionalism to any video. Now, the celebrated leader in soundtrack creation, SmartSound, has made its famous plug-in for Adobe Premiere Pro even better. A completely redesigned interface gives you almost instantaneous access to any SmartSound music. SmartSound embedded technology helps ensure you get exactly the right cuts of music for your project.

And you can search and audition from the entire SmartSound library — not just the tracks you own. If you like a piece, just enter your purchase information and download it right into your Adobe Premiere Pro project file. Nothing could be easier or quicker, and you always get exactly the right piece you're looking for. The new Quicktracks plug-in includes the SmartSound Full Spectrum music CD with 23 great pieces of royalty-free music to get you started. More great royalty-free music and sound effects of every type are available from SmartSound Music Library. SmartSound Music and Sound CDs SmartSound Software offers a tremendous selection of top-quality, royalty-free music and sound effects to bring your video projects to life.

Designed specifically to work with any SmartSound software, this music and audio will expand your options so that you always have just the right mood or sound for your project. Choose from three great series of CDs: the versatile and expansive Audio Palette series, the cutting-edge contemporary Edge series, and the Sound Palette series that offers terrific sound effects. From innovative lower thirds to silky-smooth credit rolls and trendy type on animations, Boris Graffiti remains the gold standard for title animation. Achieve one-of-a-kind effects with built-in text paths, jitter, or randomization. Expand in 3D with powerful and realistic 3D extrusions complete with reflections, bump maps, and lights or wrap your text around a 3D sphere. Create your own unique looks or draw from a vast library of presets and styles. Boris RED is the only integrated 3D compositing, titling, and effects plug-in application to deliver unparalleled performance to Adobe Premiere Pro.

An indispensable tool for post-production and broadcast professionals, RED offers a wide range of features right on your Adobe Premiere Pro timeline, integrating professional-level titling, transitions, image restoration, paint, rotoscoping, a full suite of tools to create and extrude vector objects, true 3D shapes and animation, and the industry’s most comprehensive image processing filter suite. The EZTitles plug-in is an importer for Adobe Premiere Pro 2.0 and later. With EZTitles, you can burn subtitles into a sequence easily and quickly.

No more hassle with thousands of small subtitle files in the timeline. EZTitles puts all subtitles in just a single clip.

It supports the following subtitle formats: EZTitles (EZT), SubRip (SRT), MicroDVD (SUB), PAC, 890, EBU (STL), ASCII, and Unicode with timecode (TXT), Rich Text Format with timecode (RTF), and Cheetah CAP and NCI CAP (CAP). Windows only. Sequence Clip Reporter creates an Excel spreadsheet report about the video clips, audio clips, titles, filters, transitions, and markers you've used in your edited sequence in Adobe Premiere Pro. It takes the tedious work out of creating clip usage reports and music use reports as well as filters and markers directly to a fully formatted Excel spreadsheet, without the convoluted use of an EDL or copy/paste techniques. Paper cuts without the pain! PrEdit is a dramatically new way to deal with transcripts, story, and the first edit.

Starting with transcribed media files, prEdit allows you to very quickly subclip the best from the transcript; easily enter log notes, with tools like auto-complete and auto-increment; quickly build and refine stories that can be previewed right inside prEdit; and send the story to Adobe Premiere Pro as a cut sequence ready for further editing. Take transcriptions from Adobe Premiere Pro to Avid Media Composer, Excel, and Apple Final Cut Pro. With Transcriptize, you can name the speakers; export a plain text file, suitable for the needs of a producer or to import into the Media Composer ScriptSync engine; or export an Excel spreadsheet with a variable number of words per row. Perfect for a producer. Xto7 for Final Cut Pro translates the new Final Cut Pro X Project XML (FCPXML) and converts it to Sequence XML for import into Adobe Premiere Pro or other applications.

From Adobe Premiere Pro, you can dynamically link to After Effects, Adobe Audition®, Encore (for real Blu-ray authoring), and other Final Cut Pro 7 XML workflow tools (such as Sequence Clip Reporter for stock footage and music cue sheet reports). Automatic synchronization without timecode.

PluralEyes automatically synchronizes audio and video clips, without the need for timecode, clappers, or any special preparation. It makes multicamera, dual-system audio, and multitake projects a snap. PluralEyes works with Adobe Premiere Pro to instantly sync all your multicamera video and audio tracks, eliminating complicated camera setups, timecode, and hours of tedious manual syncing. Save time and money, reduce frustration, and free yourself to focus on the creative editing process. Fast and easy creation of presentation videos.

Presto automatically combines your original crisp, bright slide images with a closely tracked inset image of your live presenter to create an attention-grabbing presentation video for sharing, eliminating tedious editing and manual tracking of your presenter. Save time and money, reduce frustration, and free yourself to focus on the creative presentation of your video.

Before jumping into the HitFilm Pro 2017 review, here’s a super quick introduction for those of you who are unfamiliar with HitFilm in general. A Short Introduction To HitFilm It goes without saying, there’s plenty of video editing software on the market.

The first ones that come to mind are big names like Adobe Premiere Pro and After Effects, Final Cut Pro, Magix Vegas, DaVinci Resolve, etc. Most of these applications are specialized to do a specific task, be it video editing (Premiere Pro and Final Cut Pro), visual effects (After Effects), or color grading (Speedgrade and DaVinci Resolve, to name a few). What makes HitFilm unique compared to most other products on the market, though, is the fact that it’s a one of a kind combination of a non-linear editor (NLE) and a video compositing tool capable of working with 3D objects. You can think of it as a blend of visual FX software like Adobe After Effects and video editing tools such as Adobe Premiere Pro and Final Cut Pro, packed into a streamlined interface that is far less intimidating for new users. It also comes with hundreds of pre-made effects and presets, which can be fully customized within the software. There’s loads of fun VFX stuff to play around width in HitFilm, from muzzle flashes and ready-to-use lightsabers to vintage film looks and particle simulation.

HitFilm cleverly organizes the interface into two entities that seamlessly interconnect with each other. There’s the editing workspace which is basically your NLE timeline with a media trimmer panel, visual effects, etc., and then you also have the compositing workspace which is designed for doing composite work. If you’re only interested in doing video editing within HitFilm, chances are you won’t ever need to touch the compositing workspace, and vice-versa. However, if you need to do any sort of compositing within your video editing project, all the tools you may need are right there at your disposal. The brilliant thing about HitFilm is that you can treat complex composite shots as video clips on the editing timeline, and then customize them further if required, without ever leaving the program. Considering the amount of functionality that is packed into the software, HitFilm Pro is also quite reasonably priced at $349 (a one time payment, no subscription fees, up to three concurrent activations), especially compared to its rivals. Adding to that, our regular readers are probably aware of the fact that FXHome also offers a ridiculously generous free version called HitFilm Express, which was featured as the #1 pick in our list of the best freeware video editing applications.

Up Close And Personal With HitFilm Pro 2017 Software updates are always a bit scary, right? Sometimes they make your favorite software better, whereas in other cases things become worse than before, for whatever reason. The developers occasionally fail to take advantage of the less is more approach, and instead focus on piling up as much bloat as possible in order to make a program’s feature list look impressive on launch day. Thankfully, I’m pleased to say that HitFilm Pro 2017 is not that kind of update. On the contrary, the latest version of HitFilm pushes all the right buttons and introduces a concise set of valuable new features that improve the workflow and expand the program’s capabilities, instead of annoying its users with unnecessary options.

Being primarily an audio guy myself, I was extremely happy to see that HitFilm now features an audio mixer with peak metering, per-channel volume, pan, automation and mute/solo controls, as well as the master channel with a volume control and volume automation. Obviously, this makes handling audio in complex multi-track projects far easier than having to open each channel’s FX controls separately in order to access the Channel Levels effect, as things were in the previous versions of HitFilm.

It would be nice to have the option to use audio effects on the master channel (a compressor or a limiter, preferably), so hopefully we’ll see those included in a future update. HitFilm Pro 2017’s new audio mixer is a welcome addition. The addition of audio sync is another time-saving feature included in HitFilm Pro 2017, meant as an aid for users who record video and audio separately. I’ve tested the feature on some of my raw backup footage from (ah, the time wasted on syncing the audio on those clips manually!) and HitFilm performed the task formidably for the most part, despite the ridiculous amounts background noise captured by the camera’s built-in mic. The success rate during my test was precisely 80%, as only one of the six tested clips failed to sync, in which case HitFilm displayed an error message that informs the user to “Make sure the selected items both have audio that is a recording of the same event”. It worked flawlessly on other clips, though, and the whole process takes around 10 seconds in total, which is quite impressive. To sync the audio of two separate clips, highlight them both in the media panel, right-click either of the two and choose the Merge Audio/Video option in the drop-down menu.

If successful, HitFilm will create a new video clip labeled “Merged”, which uses the external audio clip in sync with the video. Moving on to video features, perhaps the most notable improvement is the inclusion of Imagineer Systems mocha HitFilm and Boris FX Title Studio plugins in HitFilm Pro 2017. Advanced tracking and stabilization is now a lot easier to pull of using mocha, whereas Boris FX Title Studio brings title editing and logo animation functionality to the table, along with plenty of included presets for quick and easy lower thirds and text animation effects. Next on the list of new features are the color grading scopes which are now available in HitFilm Pro 2017’s new Scopes panel. Much like the Audio Mixer panel, the Scopes panel can be docked to any part of the user interface, or used as a floating window.

FXHome has provided a set of four scopes to choose from: Histogram, Parade, Vectorscope and Waveform view. The scopes can also be rendered into the video during export. Speaking of exporting, HitFilm Pro 2017 introduces the export queue which allows the user to render any amount of comps (or multiple codec versions of the same project) in succession, without having to manage the whole process manually. Right-clicking a composite shot in the media panel now shows the Export option, allowing the user to export the entire composite shot, or a shorter segment of it (defined by the IN and OUT markers). HitFilm Pro 2017 comes with a set of quick export presets (YouTube 2160p UHD, YouTube 1080p HD, Vimeo 1080p HD, Facebook 720p HD, etc.), as well as the option to use fully customized render settings.

Supported formats are MP4 (H.264 codec), AVI (uncompressed video) and image sequence (PNG, JPG, BMP, or OpenEXR). RAM preview size is also increased, which is great news for users with 32+ GB RAM systems. HitFilm’s library of built-in effects has also been expanded, introducing a set of new distortion effects and improved lightsabers (just in time for Rogue One premiere!). The number of included effects and presets now exceeds 500 in totals, which is definitely impressive.

The video editing workflow has been enhanced with easier to pull of J and L cuts (the sort of cut in which the sound precedes the picture, or vice versa) and new keyboard shortcuts for easier trimming. It is now also possible to use an external monitor for the preview panel, making the main editing interface that much easier to navigate if you happen to use a dual monitor setup. Something that I probably won’t be using anytime soon is 360° video support (along with 360° text and titles), but it’s nice to know that the option is there, if required.

Lens warp has also been introduced, certainly a useful feature for handling (or emulating) action camera lens distortion. My old HitFilm 4 Express projects loaded just fine in HitFilm Pro 2017. Also worth mentioning is that HitFilm Pro 2017 is backwards compatible with old project files from previous HitFilm versions, including HitFilm 4 Express. My old HitFilm 4 Express projects loaded just fine in the new version of the software, meaning that it should be pretty safe to update your current HitFilm Pro installation to the latest version even if you’re working on some projects. Last but not least, HitFilm Pro 2017 now includes Ignite Pro 2017, a suite of effects crafted by FXHome that can be used in other video editing and compositing applications. The pack includes over 150 plugins, adding up to over 500 effects in total, compatible with Avid Media Composer, Vegas Pro 14, Adobe After Effects and Premiere Pro, Final Cut Pro, and a host of other applications. Almost Perfect HitFilm Pro 2017 comes very close to being a perfect video editing and compositing tool for indie filmmakers.

However, there’s one thing that I’d love to see improved in future versions of the software, and that is the performance when it comes to simple video editing tasks. Not working with effects, not doing any advanced stuff whatsoever, just plain and simple video editing. Granted, HitFilm Pro 2017 combines video editing and compositing into a single application, making the overall performance hit seemingly inevitable, however I can’t help but feel that HitFilm Pro could be at least a bit more optimized in this regard, particularly when doing the most basic editing tasks. Don’t get me wrong, HitFilm becomes a mighty fast video editing tool once you’ve learned how to use it properly.

But it takes an adequate machine with enough hard drive space, as well as a bit of experience, in order to get the best out of the application. Comedy Drama Script In Marathi Pdf Free Download. If you’re a new HitFilm user, the method for getting the best possible performance while video editing in HitFilm Pro 2017 is explained below. First things first, drag and drop a new clip on the timeline, hit the playback button and chances are you’ll experience a fair bit of lag and stuttering.

The first remedy for this is to convert your source material to a proper video editing format using a format conversion utility such as (FXHome has posted a great little video tutorial about this topic on their, embedded below). After performing this step, the performance in HitFilm’s editing timeline will improve dramatically, however you will (most probably) still experience a bit of lag as the playhead moves from one clip to another.

Needless to say, this can be quite a bit of problem when editing, as you’ll want to be able to playback your cuts in real time. HitFilm has a solution for this as well, and it’s called proxying. Right-click a clip (or preferably all the clips in a project’s media folder), and select the Make Proxy option in the drop-down menu. HitFilm will spend some time proxying the files and voila!

All performance issues gone, forever (or until you cancel the proxies, once you’ve finished working on a project). The thing is, though, that proxying media files in HitFilm Pro is a double-edged sword, as it’s rather costly in terms of hard drive space consumption, as well as the time required to make the proxies. My little test has shown that a 1:44 minute long video file (252 MB file size, MPEG-4 format) will consume 10 GB of hard drive space when proxied and will take somewhere close to 8 minutes in order to complete the proxying process.

This was done on a 6th gen Core i7 machine with 16 GB of RAM and a 4 GB GeForce GTX 960 graphics card. In other words, lag free video editing is definitely possible in HitFilm, however it will take some time and a fair bit of storage space in order to pull it off.

On most occasions, loading your media files and giving HitFilm some time to complete the proxying process shouldn’t be much of a problem, but if something needs to be done super quickly, things can get a bit problematic. On the other hand, HitFilm is close to flawless in terms of stability. All the videos that have been published on our YouTube channel since April this year have been edited in HitFilm 4 Express and I haven’t experienced a single crash in the process (knock on the wood!). Same goes for HitFilm Pro 2017, at least during the testing period for the purposes of this review.

Conclusion HitFilm Pro 2017 is an epic update in all aspects. Handling audio in complex multi-track projects with the new Audio Mixer panel is plenty easier, whereas the introduction of audio sync functionality is a godsend for those of us who use an external recorder for capturing audio. Superb looking text animations, titles and lower thirds are now easy to make using Boris FX Title Studio, whereas Imagineer’s mocha HitFilm makes motion tracking and stabilization a breeze.

The export queue is another welcome addition to HitFilm, as are the brand new color grading scopes which are placed in a separate panel. My only gripe with HitFilm remains the somewhat lackluster performance when doing simple video editing work, unless all of the media within a project is proxied (at the cost of storage space).

Hoping to see a better solution for this in future HitFilm updates (or at least a faster proxying process). Other than that, HitFilm Pro 2017 is a straight up 10/10. More info: ($349). Did try the previous free version and it was a total disaster on my computer (a just-before-the-black-garbage-bin mac pro).

Tried to edit a small project in it twice and had lots of problems with crashes, lag, projects not opening anymore. Converting all footage to the same format did help a bit, but didn’t solve all the issues.

I’m a bit hesitant to give it a second chance, though it seems the only interesting option on the market since Final Cut X is kind of weird to use and Lightworks has a kind of intuitive and convoluted UI. Do you know if the new free version has been updated as well, or that’s still the old one?